Wednesday, July 23, 2008

Middle School Role Models of 90's TV Countdown

3. Agent Dana Scully. I had been meaning to write about this for awhile, but this Feministing post galvanized me to finally finish it. God, I loved this show so much! It really brought out the sci-fi nerd in all of us. Agent Scully was a great character for several reasons- but what I loved most about her was her extreme dryness and skepticism. Even though she was usually wrong, and Mulder's outlandish theories about underground dwellers who came from the future and ate people organs to create a race of pod people were generally correct, Scully served as the much-needed straight man to Mulder's wacky ideas. Female TV and movie characters are pretty much always the hysterical and flighty ones, so her prediliction towards science-based logic was a true breath of fresh air.

Scully always seemed most at home when she was doing a tape-recorded autopsy, flatly (actually, both characters really mumbled their way through this show) discussing the stomach contents of some dead alien while nonchalantly peeling back its multiple brains. She rarely got scared or overly emotional, and her good looks were never exploited; Dana Scully could be found in a sensible pantsuit and bob combo. So often, women in sci fi/horror stuff are played as the sexualized victim, walking around weakly in a revealing tank top, the threat bearing down upon them both physical and sexual, but this cheap device was never (or rarely) used in Scully's place; she was smart, prepared and in control at all times, and always ready to refute whatever Mulder was saying with "There must be a more logical explanation for this."

PS: God I also had such a crush on David Duchovny but he is so one of those people that could never be in anything else/seems like a jerk in real life/the cover of the first season of the "Californication" where his old man head looks pasted on a younger body is totally revolting. Gillian Anderson, on the other hand, always seemed to be like a huge weirdo/nerd in real life. I remember reading this "Before They Were Stars" edition of People magazine and they had a picture of her in high school and she was all gothy and had a mohawk and stuff. I think she said she pierced her nose with a carrot. What's not to like?

2. Buffy. Gosh, considering all the non-girl positive crap crap I watched on TV, I'm glad Buffy was on when I was in middle school. Buffy was another show that everyone would watch and then religiously discuss the next day. The most notable, feminist feature of Buffy may have been simply that she was that rare phenomenon- a girl superhero. It's always frusturated me that the premise of the superhero is that an average person transforms- but that average person is nearly always male, and if not, then becoming a superhero also has something to do with becoming uber-sexy and bodysuited. It's like, this plot is totally fantastic, but the idea of a girl superhero is just, you know, too fantastic. Plus, it doesn't fit into the "nerd fantasy every boy can enjoy [because patriarchy has made us ALL felt like puny wimps]" theme of every superhero-related thing ever. Anyway, the point is, watching a small blond teenage girl kick ass regularly onscreen, without having to morph into a pleather-coated vixen beforehand, was totally empowering and exhilerating for my seventh-grade self.

What also was great about Buffy was how her superherohood translated into a high school environment, forcing a cheerleader who probably would have been quite popular (had she not burnt down her previous school, anyway) to instead make friends with the weirdos who hung out with the school librarian. Buffy's strange social circumstances obviously paralleled many people's experiences in middle/high school, as she and her friends conspicuously existed on the fringes of the social scene.

I think I related to Buffy because she wasn't a total nerd like Willow (whose character/general acting style I always found annoying) and was one of those rare characters who liked shopping and sticking up for herself. Often mistaken for a ditz or "slut" for her mysterious past and "hot" appearance, the levelheaded Buffy usually dealt with her hectic life in a mature and distinctly non-ditzy fashion, even when having sex with her boyfriend turned him evil and stuff on two memorable episodes titled "The Two-Night Event" on the WB.

1. Elaine Benes. Of all these characters, I must say I hold a special place in my heart for the rather unsung Elaine. I loved Seinfeld a lot, and Elaine's character was notable for being a a woman amongst a group of men who could hold her own without falling into all the various women-in-comedy cliches. Confident, sarcastic, sexual, and refreshingly unsentimental, Elaine could be found noting the ugliness of a baby she never wanted to visit in the first place, relocating to an apartment when an old lady died, recieving the lady's grandkid's phone calls, and pretending to be her and then eventually "dying" over the phone so the kid wouldn't call anymore, or forcing George's head through his straw hat in a fit of rage. She was even the first (I think?) to lose the masturbation contest after seeing JFK Jr. in workout clothes in her gym, even after Jerry and Co. insisted she not participate because women didn't feel that particular urge.

Though the show's men had an endless stream of unfunny and uninteresting girlfriends, Elaine could always be counted on to dream up crazy schemes with the best of them. I think her model was a confident single, professional, perhaps even feminist-coded (we can all remember the fight she got into about abortion rights with restraunteer Poppy) woman of New York, as she was always employed and dating someone, but she was also miles away from the men-obsessed ladies of Sex and the City and their ilk; Elaine could not be found moaning about marriage, babies, and hating men and their lack of willingness to commit. She also provided an excellent contrast to that other show about single New Yorkers, Friends, wherein all the women served some sort of feminine comedy cliche- the uptight nag, the ditzy dingbat, the spoiled rich girl, etc.

Elaine was attractive without being sexualized and trendy, and her oxfords and vintage-style dress combos of the first half of the show are still pretty sweet. But how she looked was always second to her role as a fabulous comedian, and I'm glad there was a woman on TV who (I can't think of anyone today who might take her place, unfortunately) was just plain funny without all the added crap that usually must accompany funny women. And she was funny in a powerful but sarcastic way that I related to when I was in middle school (and still do), providing a much needed alterna-role model to the various other daffy rom-com style female comedians so prevalent to this day. (I fucking hate you, Kate Hudson.)

Monday, July 21, 2008


Here's some stuff I am sick of, particularly worn all at once:
1. The ubiquity of Wayfarers, obvs.
2. Denim vests/any vests layered slouchily over
3. Early 90's esque babydoll dresses, topped off with
4. A pair of Keds with no socks. I really don't hate Keds or anything, but remember how everyone hated Keds like until really recently? But now everyone loves Keds because they see other people loving Keds?
Here are some other crazy options this outfit could have gone for:
1. A neck scarf tied so that it forms an upside-down vee.
2. Doc Martens, the hot! new! shoe! I can't believe these are back considering like all my friends angrily wore combat boots in high school because everyone had a touch of goth to them, but now they fit into this grunge 90's revival thing.

If you're wondering where I got this image, it's from the blog of this twelve year old fashionista who is into music that I had not heard of until i was like 17. But that is neither here nor there.
1. The pocohontas band. Look, I can see the allure of looking like an elf princess, but this is one of those things that only works if you made it up, not if you saw someone else with a band around her head first.
2. The random graphic t-shirt tucked into the
3. Floral 90's skirt (it doesn't match! on purpose!) which goes with the
4. Leather mom bag. Hey, remember when nobody wanted purses with long straps because those were 90's but then the 90's came back and they're okay again? Well, I hate them.

Anyway, the moral of this post is: don't wear ten trends at once. It's like the accessory rule about taking one thing off.

Wednesday, July 16, 2008

The Validity of the Skort

I'm sorry I have to do another post about the early 90's, but, like a train wreck, I cannot help but watch from the sidelines with fascinated horror. I recently tried looking for shorts on eBay (not recommended) because my fav pair of red sailor shorts from H&M perished in the fire, and I really need a solid pair of shorts for the summer, even though shorts are something I pretty much decided I could never wear for the years 1999-2005, having too many bad memories of bulky, riding-up denim, and horrible flashbacks of my grave enemy, the skort. But then I got back on the shorts train- not to be confused with the shorts train wreck I'm writing about here.

Anyway, what's important is that ten million pairs of early to mid 90's rompers, onesies, and general Blossom-wear popped up, all going for ridic prices from those special hipster eBay sellers who advertise their shit in trendy ways and somehow get people to pay exhorbitant prices for things that they OBVIOUSLY got at a thrift store for 1.99. This type of thing bugs me to no end because, basically, people cannot manage to go down to their local thrift store and find something themselves for that price (or find it on eBay for the same price, but in a less glam-looking auction) but are willing to pay $75 (literally some of this stuff went for that much, like the cotton-poly floral dress at top left) for something because someone else styled it for them. Once they see it advertised on some lank girl with oxford shoes they realize how trendy and COOL it is to wear something floral denim, and bid up a storm.

It is reflective of some horrible lack of creativity and eye for clothing and how to wear it in general, but I guess that's why there are boutique stores and stylists and fancy displays- because people need to be told what to wear, and how to wear it. And, that, my friends, is what trends are- they gently let people know that it's cute and new all over again to wear a flowy skort, and then everyone mindlessly pays $60 for a flowy skort because they've seen other people do it, and nobody ever questions the validity of the skort! Do you think anybody would have been caught dead in a rayon floral romper from 1994 two years ago? Or even high waisted anything?

It's just so weird to me how things get popular only when saturation has reached a certain level, and it becomes acceptable (but not too acceptable, because then it's, like, boring!!!! (Speaking of which, who else has noticed that the neon trend has already reached saturation point and no one on the Face Hunter would be caught dead in it anymore? (Here's a tip: beige is the word.)))